Rigoletto sees the bag and assumes it is the murdered Duke, when suddenly, he hears the Duke’s voice, singing the “La donna è mobile” refrain. She walks in dressed as a man and Sparafucile kills her. Gilda decides to sacrifice herself for her love, the Duke. Maddalena begs her brother to spare the Duke’s life, and Sparafucile agrees on the condition that he will murder the next man to walk through the door so he can produce a body. Once she has left, he pays Sparafucile to murder the Duke. Rigoletto tells Gilda to leave town, disguised as a man. In Act III, Rigoletto and Gilda follow the Duke to a tavern, where Gilda watches the Duke flirt with Maddalena, the sister of Sparafucile, the assassin. Gilda pleads for him to have mercy on the man she loves. Rigoletto makes a plan for them to leave Mantua, but first, he swears revenge on the Duke. In Act II, Gilda returns to her father and tells him about her abduction. Unwittingly tricked by the angry courtiers who want to punish Rigoletto, he does not realize he is helping take part in his own daughter’s abduction. Meanwhile, Rigoletto’s daughter Gilda meets the Duke, who pretends to be a poor student so he can seduce her. One of them - Monterone - curses Rigoletto, who is terrified because he has a daughter. In Act I, the jester Rigoletto makes fun of the many husbands and fathers whose daughters and wives have been seduced by the womanizing Duke. Giuseppe Verdi’s beloved work, which premiered in 1851 at Teatro La Fenice in Venice, Italy, is performed often all over the world, and its score has some of the most beautiful music in the operatic canon. Opera fans who buy Rigoletto tickets may have seen this opera staged in many different time periods in addition to its original 19th-century setting.
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